Gabe Hizer “Persistence of Memory”
Gabe Hizer’s musical career has come full circle. A graduate of the prestigious Berklee College of Music, Hizer took a detour, earning a law degree and practicing law for 25 years. Then two years ago, he packed his cats, a trunk load of instruments, and some recording equipment and headed for Mexico. There he wrote and recorded, eventually heading for Nashville where he pulled in musicians and engaged Neilson Hubbard to produce a debut CD, Persistence of Memory.
Like a lot that is coming out of Nashville lately, the album is not country, not even uptown commercial country/pop. There is a definite Americana feel about the 12 songs on the disc, but it leans more toward rock and pop. Hizer, who plays acoustic and resonator guitar on the album, wrote all of the songs, except for “I Will Be There for You,” which he co-wrote with David Walker.
The instrumentation on the album is first rate, which is a complement to Hizer’s own skill and to some great musicians coming out of Nashville. Hizer has added expected layers of drums, electric guitar, piano and organ, bass, and even Kenny Hutson’s pedal steel and T.J. Klay’s harmonica on a tune or two. But it is the inclusion of strings that sets his work apart from standard Nashville fare. And it is not fiddles, but violin, viola, and cello. There is even a touch of vibes and glockenspiel. Not every song has these embellishments, but they are used on certain tracks to good effect.
Hizer’s vocals are strong for the most part, often with an echo of Jim Croce. However, there are some rough spots in delivery. There is a slight strain on the falsetto on “Time to Say Goodbye,” but it works with the emotional tone of the piece. Unfortunately, the vocal work on “Falling Down” is an odd mix, including some rough falsetto that drops to a bass note in an odd place. That is really a shame since the song has something to say.
There are only two country-type tunes on the album. “I Will Be There for You” is a lovely sentimental tune that Clint Black would be lucky to record. “The Ballad of Joey and the Bottle of Booze,” though having a country feel, is more reminiscent of Loudon Wainwright than Kenny Chesney.
The latter part of the CD has some flat-out winners. The showpiece of this album is the gospel/roadhouse tune, “Searching Outside of My Soul.” T.J. Klay’s harmonica is more country blues than Chicago or Delta blues. But here everything works well, especially Hizer’s vocals that are straightforward and midrange.
Equally, “Let Me Fall on You,” a warm tune about a strong relationship, is near perfect. Hizer’s delivery is spot on, and Margaret Coleman offers tight background vocals that underline the relationship Hizer is writing about. The song echoes G. B. Leighton’s “Wings Working Overtime,” though I think Leighton’s is the stronger of the two—but then he’s been in this business for about as long as Hizer was a lawyer. That experience shows.
Then there’s “Some Things Never Change,” a truly polished gem. This tender song of an aging loved one is moving but not maudlin. It is a tune that could have come from a Broadway show, not one that was bigger than life or pretentious, but one with heart such as Big River. In fact, this song tends to generate the feel of Roger Miller’s “Worlds Apart” from that musical.
The writing is equally strong, capturing the loneliness of independence, hurtful partings, lost love, and old memories. Gabe Hizer’s Persistence of Memory is a strong debut for an artist who has something to say and can say it well. Time will smooth out the rough spots, making this artist certainly one to watch.
Review by Janie Franz

Gabe Hizer is a storyteller through and through. With bluesy grit and soaring falsettos, Gabe’s album Persistence Of Memory spins soulful tales of life, love and everything in between. It’s an album from the heart and for the heart.
Gabe Hizer’s Persistence of Memory was a totally unexpected listen. His music can best be described as a cross between 70s folk and adult contemporary, and there’s a little bit of country sprinkled into the mix. Think Gordon Lightfoot’s song-stylings with a voice like Gary Puckett.
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